Turbulent Times, Creative Minds: Erich Neumann and C.G. Jung in Relationship

This volume of essays by well-known Jungian analysts and scholars provides the most comprehensive comparison to date between the works of C.G. Jung and Erich Neumann. Reflections are based on their extensive correspondence recently published, their differing cultural backgrounds, and the turbulent times surrounding their personal and professional relationship. Among the many specific subjects discussed are Jung and Neumann on art and religion, their views on the problem of evil, and clinical aspects of Neumann’s work. Also included are personal memories of both Jung and Neumann family members.
The book includes exclusive photos from Eranos, and several illustrations in color.

Contents:

Introduction (Erel Shalit and Murray Stein) ix
I. The Correspondence (1933–1960)

Uncertain Friends in Particular Matters: The Relationship between C. G. Jung and

Erich Neumann (Martin Liebscher) 25

Companions on the Way: Consciousness in Conflict (Nancy Swift Furlotti) 45

Neumann and Kirsch in Tel Aviv: A Case of Sibling Rivalry? (Ann Lammers) 71

II. Cultural Backgrounds

German Kultur and the Discovery of the Unconscious: The Promise and Discontents of the German-Jewish Experience (Paul Mendes-Flohr) 83

Basel, Jung’s Cultural Background and the Proto-Zionism of Samuel Preiswerk (Ulrich Hoerni) 95

The Cultural Psyche: From Ancestral Roots to Postmodern Routes (Erel Shalit) 111

III. Troubled Times

Carl Jung and Hans Fierz in Palestine and Egypt: Journey from March 13th to

April 6th, 1933 (Andreas Jung) 131

1933—The Year of Jung’s Journey to Palestine/Israel and Several Beginnings (Thomas Fischer) 135

Jungians in Berlin 1931–1945: Between Therapy, Emigration and Resistance (Jörg Rasche) 151

IV. The Problem of Evil

The Search for a New Ethic: Professional and Clinical Dilemmas (Henry Abramovitch) 167

Erich Neumann and C. G. Jung on “The Problem of Evil” (Murray Stein) 185

V. Neumann and Eranos (1948–1960)

Neumann at Eranos (Riccardo Bernardini) 199

“Dear, dear Olga!” - A Letter to Olga Fröbe-Kapteyn (Julie Neumann) 237

VI. On the Arts

The Great Mother in Israeli Art (Gideon Ofrat) 245

Jung, Neumann and Art (Christian Gaillard) 261

The Magic Flute (Tom Kelly) 299

A Brief Comment on Neumann and His Essay “On Mozart’s ‘Magic Flute’” (Debora Kutzinski) 309

VII. Clinical Contributions

Erich Neumann’s Concept of the Distress-ego (Rina Porat) 315

Can You Hear My Voice? (Batya Brosh Palmoni) 333

Neve Tzeelim—A Field of Creation and Development (Rivka Lahav) 347

VIII. On Religion

Erich Neumann and Hasidism (Tamar Kron) 367

Theological Positions in the Correspondence between Jung and Neumann (Angelica Löwe) 385

IX. On Synchronicity

Toward Psychoid Aspects of Evolutionary Theory (Joseph Cambray) 401

X. “Memories from My (Grand)Father’s House”

Introduction 411

Some Memories of My Grandparents (Andreas Jung) 413

Memories (Ulrich Hoerni) 415

Memories (Micha Neumann) 417

Memories (Ralli Loewenthal-Neumann) 421

Memories (Debora Kutzinski) 425

A Response (Thomas B. Kirsch) 429

Remembering the Mamas and Papas (Nomi Kluger Nash) 433

Memories of Max Zeller (1904–1978) (Jacqueline Zeller) 437

Bibliography

About the Contributors

Cover image by Mordecai Ardon

Available at Amazon, and at Chiron

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Jacob and Esau 

On the Collective Symbolism of the Brother Motif (2nd printing)

by Erich Neumann

cover image by Meir Gur Arieh 

Gideon Ofrat: Great Mothers of Israeli Art

At the forthcoming 

Jung Neumann Letters Conference, April 24-26, 2015 

Prof. Gideon Ofrat will speak about 

The Great Mothers of Israeli Art

The lecture will follow the variety of "Great Mothers," in the Neumannian sense, along the history of art in Israel. An emphasis will be put on the Great Mother's association with the jar (of water or ashes…), its unity with earth and mountain, its idealization as a heavenly figure versus its representation as a devouring goddess, also its depiction as a birth-giving figure versus its aggression and danger. All these artistic images of the Great Mother will also be examined within the framework of the Zionist ideology.

Gideon Ofrat (Ph.D., The Hebrew University, 1974) has been deeply involved in Israeli art both as a historian and theoretician. He has taught at various Israeli universities and art academies, and also lectured as guest-professor in many universities in Europe and America. Ofrat has curated many historical and contemporary Israeli art exhibitions (mostly in Israel, but also in the U.S. and at the Venice Biennale), published hundreds of articles, art catalogues and about fifty books (mostly in Hebrew, a few in English, including ‘The Jewish Derrida’) on Israeli art, Israeli culture, philosophy of art and more.

Jung Neumann Letters Conference Website

International Advisory Board

Erel Shalit • Murray Stein • Batya Brosh • John Beebe • Riccardo Bernardini 
Jerome Bernstein • Ann Casement • Angela Connolly • Tom Kirsch • Patricia Michan
Joerg Rasche • Nancy Swift Furlotti • Luigi Zoja • Liliana Wahba