Friday, October 18, 2013

"Jung neglected in his native Switzerland?"


A brief look at the Jung Institute in Kusnacht, Zurich



Swiss journalist Raffaella Rossello presents a five minute video from the Jung Institute in Zurich, and asks if Jung is neglected in his native Switzerland.

She writes:

"Swiss psychotherapist Carl Gustav Jung may have been one of the founders of modern psychology but today he may be more revered abroad than in his homeland - something the privately-run Jung Institute hopes will change.

"With no Swiss university chair in Jungian psychology, the Jung Institute in Zurich is one of the few places where he is still taught. It also has regular semesters for foreign students and professionals. Not all students are psychotherapists: many are from the field of business or are in search of a deeper meaning in their lives.

"Jung helped found the Jung Institute in Zurich in 1948. Today, around ten students graduate every year, going on to become Jungian analysts and psychotherapists. There are other Jung-based institutes in Germany, Britain, the United States and Brazil.

"Jung’s analytical psychotherapy attached great importance to the unconscious. He elaborated concepts like the collective unconscious and the idea of "archetypes", basic patterns of human life which can be also found in myths and fairy tales. He developed a theory of complexes to help understand personality development and relationship conflicts.

"Jungian psychotherapy sees a psychological problem as an opportunity for the patient to engage in personal development, a process Jung called "individuation". (Raffaella Rossello, swissinfo.ch – SRF.ch. Additional images from a lecture by Erel Shalit at the Jung Institute )

Watch the video

It should of course be noted that there are Jung Institutes in many more countries than those mentioned above.

Sunday, October 6, 2013

The Hero and His Shadow: Psychopolitical Aspects of Myth and Reality in Israel, Revised Edition

A revised, third English edition of The Hero and His Shadow: Psychopolitical Aspects of Myth and Reality in Israel, has recently been published (2012) by Fisher King Press.


The book can be purchased at $22.00 directly from Fisher King Press, and from Amazon (notice that this, latest, revised edition, is cheaper than previous editions, and sells for $25.13).

Contents

Preface The Beggar in the Hero’s Shadow . . . . . .  xv
Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . xxi
Chapter 1 Return to the Source . . . . . . . . . . . . . . . . 1
Chapter 2 From My Notebook. . . . . . . . . . . . . . . . . 11
Chapter 3 From Dream to Reality. . . . . . . . . . . . . . .33
Chapter 4 Origins and Myths. . . . . . . . . . . . . . . . . . 45
Chapter 5 From Redemption to Shadow . . . . . . . . . 55
Chapter 6 Wholeness Apart. . . . . . . . . . . . . . . . . . . 95
Chapter 7 Myth, Shadow and Projection . . . . . . . . 111
Chapter 8 A Crack in the Mask . . . . . . . . . . . . . . . 131
Chapter 9 The Death of the Mythical and 
The Voice of the Soul. . . . . . . . . . . . . . . . . . . . . . . 151 
Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .169 
Bibliography. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

An excerpt from Ch. 9: 'The Death of the Mythical'

Man has wrested the myths out of the hands of the gods. When approached with humbleness, myths can give meaning to the world. Mythical Prometheus does extort the fire from the gods, but understanding the mythical meaning of his deed is more important than to act it out. Prometheus means forethinker, the one who thinks before. Promethean fire is the capacity to plan and make use of natural transformative energy, fire (which like everything archetypal is bipolar, and can thus be constructive as well as destructive), for the benefit of mankind, to create consciousness and acculturation.

Heinrich Fueger:
Prometheus brings fire to mankind

Prometheus’s brother, Epimetheus, thinks only afterwards, after having carried out the deed, when it often is too late. He was punished for his lack of forethought, and against his brother’s warning he all too easily accepted Pandora as a gift. As an artificial woman, as an artifact created by the master craftsman Hephaestus, she had no sense of Eros, of relatedness, and could unhesitatingly spread the poison of misery, disease and suffering.

Diego Velazquez: Hephaestus' workshop

Were Hephaestus alive today, he would probably be a computer freak, constructing artifacts of virtual reality. The boundary between reality and virtuality is becoming blurred. Man-made artifacts seem more real than actual events whose true nature we can no longer account for (cf. McLuhan 1996, Baudrillard 1994). Whereas in the past the media followed the event, now events take place where the camera is – even if the camera was there unintentionally, as was the case in the filmed assassination of Rabin. But it is a false and artificial tele-nearness (like tele-vision, vision from afar; or tele-pathy, i.e., pathos, feeling, from afar) a nearness from afar by which events lose their own reality. They become pseudo-events, as-if events. Jung (1964, p. 95) says,
As scientific understanding has grown, so our world has become dehumanized… Natural phenomena... have slowly lost their symbolic implications. Thunder is no longer the voice of an angry god, nor is lightning his avenging missile. No river contains a spirit, no tree is the life principle of a man, no snake the embodiment of wisdom, no mountain cave the home of a great demon. No voices now speak to man from stones, plants, and animals, nor does he speak to them believing they can hear. His contact with nature is gone, and with it has gone the profound emotional energy that this symbolic connection supplied.
There is an equally false nearness to personal and internal events. Unlimited media-exposure of man’s body and soul – sexual, dead, violated, raped – has little to do with closeness or freedom (Feldman 1997), but distances man from himself. There are no boundaries and no distance, no compassion nor perspective that can hold man’s experience together in a unified way. Through the Internet everything is made public, everything is open, and it is possible to learn how to assemble bombs and suicide (homicide) belts on-line.

Or, you write a letter, send it by e-mail (instead of snail-mail), and it is no longer yours. Sentences are added or deleted, “forwarded” and mass-distributed – without the need for consent. Where is discretion? Privacy? Where is dialogue in contrast to multilogue? Where is the poet’s private song, handwritten and learned by heart? Privacy is dismembered. Often people come to therapy to find privacy, and in privacy to find an outlet for their personal poetry.

Man’s evil may be his hubris, considering himself as an equal to the gods, interfering without restraint in nature’s work, and claiming godly rights. We do not know what evils may yet be unearthed by genetic engineering and computerized virtual reality, which is sometimes comprehended as more real than reality. Scientists have created electro-magnetic fields a million times stronger than what we are accustomed to, enabling fish and frogs to fly. Is that what man wants, or needs? Or, using transplants, scientists have exchanged brains, making birds behave like fish. What will the world look like when man and computer will be cloned together?

As Rosemary Gordon (1978) says,
there is light without visible fire; sounds and images heard and seen at a great distance from their source of origin; ... These and many other thousands of new wonders won by man through his own effort to understand, to control and to bend to his will and to his needs the forces of the universe in which he finds himself – all this has led him to dream that death also can be conquered.
And yet, while man may dream that death can be conquered, whether by science or by war, we are overwhelmed by death and deadly fears hitting back at us. As Hillman (1993, p. 111) in his powerful, poetic language, says,
Death lurks in things: asbestos and food-additives, acid rain and tampons, insecticides and pharmaceuticals, car exhausts and sweeteners, televisions and ions. Matter is more demonized than ever it was in the plague. We read labels of warning, feel invisible evils descend through the air, infiltrate the water, and permeate our vegetable sustenance. The material world is inhabited again; the repressed returns from the matter declared dead by Aquinas and Descartes, now as Death itself, and because of this resurrecting ghost in matter we are aware at last again of the anima mundi.
Awareness of the anima mundi, the world soul, may be the only viable alternative for a world on the verge of man-made apocalypse. But psycho-ecological awareness pertains, as yet, only to the few.

Myth-making means reaching into the creative depths of the unconscious, bringing forth the unifying symbols of the self, but man has wrested even the apocalyptic myth out of the hands of the gods. The apocalyptic myth forms the other end of the paradise myth of original, conflict-free wholeness. It is the myth of conflict between good and evil in which the latter comes to destroy the world as we know it, but is defeated by the forces of good, and the world is reborn. This would mark “the end of the present era, and the initiation of a new era of peace, harmony and general exaltation” (Ostow 1986, p. 107-108). However, the symbolic quality of the apocalyptic image changed as man seized it from the gods and from nature. Now man himself can cause his own actual apocalyptic destruction, and in so doing, kill the very idea and possibility of rebirth. If we define soul as the capacity to relate, imagine and reflect, then uncritical and unimpaired, narrowly ego-centered progress causes the atrophy of dreaming, mythologizing and symbol-formation.

Science and progress constitute our modern myth, with genetic engineering and the computer as central symbols of post-modern science. Freud (1932, p. 211) wrote to Einstein:
It may perhaps seem to you as if our theories are a kind of mythology ... But does not every science come in the end to a kind of mythology like this? Cannot the same be said today of your own Physics?
In past myths man was threatened by the forces of nature, the wrath of the gods, and the monsters of the netherworld. What remains today is mostly the grand sin of hubris, due to man’s one-sided consciousness.

In worship of the religion called science, the carcinogenic ego becomes ignorant of its shadow, intoxicating whatever lies outside the realm of restricted ego-consciousness. In the backwaters of civilization and unimpaired progress, the shadow rises against the ego and strikes back. This ego lacks feminine consciousness, the moon’s reflection and contemplation, as happens when scientists are given free hand without the reflective capacities of the anima, the soul, as occasionally carried by philosophers, psychologists and others. No longer does the wisdom of Sophia (in Hebrew hokhmah, חכמה)
cry aloud in the street; she does not utter her voice in the squares; she does not cry in the place of concourse, at the entrance of the gates; she is not listened to when she cries out “pride, and arrogance, and the evil way, do I hate.” (From Proverbs 1:20-21, 8:13)
The unrestrained dispersal of antibiotics, for instance over-injecting milk-producing cows, has weakened our immune system, which may be one cause of activating the AIDS-virus. Jung (1965, p. 360) says,
… [A]t the end of the second millenium the outlines of a universal catastrophe became apparent, at first in the form of a threat to consciousness. This threat consists in giantism – in other words, a hubris of consciousness – in the assertion: “Nothing is greater than man and his deeds.”
Howard Fox: Babel the fall
[find more of Fox's paintings]

And man’s consciousness is threatened by its very accomplishments, e.g. the computer, and therefore the unconscious tries to struggle with it by its ancient remedy – illness. So computers die from unknown viruses, some of them arising from the more primitive layers of our unconscious, for example “Friday the 13th virus,” which however is an all too weak panacea thrown in by the shadow of superstition. The language of a computer that has gone mad is as puzzling as when God put an end to hubris in Babel.

Jurassic Park

Steven Spielberg’s film Jurassic Park illustrates the dialectical and enantiodromic movement, whereby everything turns into its own opposite, between progression and regression. Relying on his ingenuity man acts God, and by computer-induced cloning he creates primordial images, dinosaurs, which then threaten to overtake man. What we might be creating for the future is the dinosaur-man, a weak link in human history, dependent on an intricate and vulnerable web of electro-magnetic fields and radio-waves.

Just imagine at what a loss man will be in the dark world of dead robots when the computers come to a standstill, causing for instance “worldwide banking chaos, air-traffic-control systems go dead, control chips open the wrong release valve in nuclear power plants, satellites get lost, deadly viruses kept under computer lock escape,” as a Newsweek feature exclaimed in lieu of the threshold to the new millennium. Due to denial of the shadow and lack of Promethean foresight, the year 2000 (Y2K) compounded into a threatening computerized calculation of year zero-zero, from which we could have woken up to “the day the world shuts down.”

In the post-modern era man is possessed by his own one-sided consciousness, having raised it to god-like proportions, not paying due respect to the compensatory efforts of the unconscious.

When we identify with the Self, as with any archetype, with wholeness, with Heavenly Jerusalem, then we create evil and hell. This is an evil of anonymity and perfection, and a hell of hubris, in which post-modern man has replaced the self, taken possession of the archetypes, and ignorant of the consequences he intervenes ruthlessly in the self-regulating psycho-ecology of the creation. This hubris of the mind may very well throw us deep into the globally overheated, yet freezing cold abyss of hell.

In evil man’s ego has lost its stamina, its strength and vigor, and fused with the collectivity of the mass, leading to an ‘abaissement de niveau mental,’ may it be mass-production, mass-psychosis or mass- murder, with due respect to the difference.

In hell, the God-image and the Self have been projected onto the ego, whether as worship of the leader, or of man’s mind.

Supreme evil arises when man uses his consciousness, which is based on differentiation and separation, for instance between good and bad, to split apart that which is not within his right to do, such as the selection in the death camps. Who is to live and who is to die, which race shall persist and which shall perish, are not within man’s moral realm of decision making. The ultimate image of man’s evil is his apocalyptic act of splitting the atom so that the enormous power hidden in that nucleus can be used for the destruction of humanity. Splitting apart is the extreme contrast of wholeness, and in nuclear destruction man’s consciousness truly becomes diabolic.

We have had a hundred years of psychoanalysis, and we have had half a century of atom bombs. India and Pakistan have joined in and others, such as Iran of the ayatollahs, are following, and man’s mind increasingly turns toward himself in unconscious self-destruction.

Saturday, September 7, 2013

The Orpheus Myth, Part II

“To Look Back or Not to Look Back,” That is the Question:
Clinical Implications of Some Mythical Injunctions Against Looking Back
—Eric Moss, PhD, Clinical Psychologist 

In our prior paper, “The Therapist as Musician: Ferenczi and his Use of the Orpheus Myth: A Guide for the Contemporary Therapist” (Leib and Moss, 2013), we drew upon the mythical figure of Orpheus and his musical sensitivities as a model for the clinical stance of today’s therapist, as did the pioneer psychoanalyst, Sandor Ferenczi.

In this paper I will look at the last, more puzzling, part of the myth, in which Orpheus disobeys the gods’ injunction, looks back at Eurydice and thereby brings disaster on himself and his lover, Eurydice. I will also look at another myth, that of Lot’s wife in the Old Testament, who, like Orpheus, disobeys an injunction not to look back – in her case, on Sodom - and so was punished by being turned into a pillar of salt. I will examine how these warnings not to look back are relevant for our work as psychodynamic psychotherapists.

Orpheus looking back at Eurydice

Why did the Greek gods, in the case of Orpheus, and the Old Testament God, in the case of Lot and his wife, specify these injunctions against “looking back”? Why did Orpheus and Lot’s wife ignore the injunctions? What are the implications of looking back or not looking back for us as human beings? And what is the relevance of this issue for psychodynamic psychotherapy?

Thoughts about “Looking Back”

Perhaps we should not be asking, which is better, to look back or not to look back? Rather, we should be asking a different set of questions: with which patients is “looking back” good psychotherapy, at what points during therapy is it helpful to do so and how, in fact, do we help a patient look back?

Most of us who are trained in a psychodynamic approach subscribe to the notion that “looking back” can lead to new understandings about oneself, which in turn can help in personal transformation, i.e., “move forward”. But, there is a downside to "looking back." It can sometimes lead to being stuck in the past. Freud (1914) himself dealt with this problem when he wrote about the repetition compulsion, i.e. certain people are stuck in the past and destined to repeat their early, self-destructive patterns. Later writers (Levy, M., 1998) have re-examined this tendency in some people to recreate old, neurotic patterns both inside and outside the clinical setting. They call this phenomenon “re-enactment”, and the bottom line is that such people are unable to leave behind old, self-destructive behaviors and move on with their lives.

In the Old Testament we find a metaphorical reference to this kind of “stuckness” in the story of Lot and his wife. In the legend, three angles come to Sodom and advise Lot, the one good man in the whole city, to take his family and flee before the city is destroyed. Their warning contains one stipulation: no one can look back. Lot’s wife disobeys the warning and for reasons open to interpretation looks back over the doomed city. For her disobedience she is turned into a pillar of salt (which some claim can still be seen today in the harsh, stone mountains surrounding the Dead Sea).

Lot's Wife Looks Back

Lot's Wife turned into a Pillar of Salt

If, as we wrote in our prior article, legends can be a guide for clinical work (Shalit, 2008; Rycroft, 1995; Ferenczi, 1932, Jung, 1996, McGurn, 1998), then it behooves us to wonder not just about the tragic ending of the Orpheus story but also about the punishment of Lot’s wife. It seems as though there is a universal injunction, appearing in different legends from different eras, against “looking back”. We can wonder, for example, what is the symbolic meaning in the universal story of Peter Pan of the fact that young Peter has no shadow (when according to Jungians, we all have a shadowy side about which we are less aware and usually don’t want to know about, i.e., don’t want to look backwards, or behind our backs at our shadows). What are the implications for our clinical work of “looking back”? This question is particularly relevant to psychodynamic psychotherapists because the injunction to not look back contradicts one of psychoanalysis’ basic assumptions, that looking back over our lives is an essential condition for transformation and growth?

Peter Pan: the Boy Who Had no Shadow

The urge to look back, and the injunction against doing so, has been related to differently by different writers. Freud himself wrote in his essay, “Remembering, Repeating and Working Through” (Freud, 1914) of the need to find solutions to old issues and move forward. Ferenczi wrote about the importance of creating a particular music-like attitude in the consulting room which can help the patient move out of his old patterns.

And of course it is not just psychotherapists who have pondered the meanings of the Lot story. In an article by David Heyd (2004), the author - a philosopher - understands the biblical story to be telling us to look forward in our lives, not return to a fixated past. He writes:
“Looking back is a deadening act. It surely goes against the evolutionary imperative: if chased by a predator, run away as quickly as possible: any attempt to look back may cause one to waste time, maybe be hunted down.” 
“We are not built so as to simultaneously look back and move on.”
“Moving forwards is flowing on with time, whereas looking back, being stuck with the past, is an attempt to abolish time by freezing it.” 
“The future-oriented perspective presupposes the human capacity to change, to transform ones own personality and the world.”
Lot and his daughters did not look back, he points out. They went on to survive and even have sexual lives, however perverted (He slept with his two daughters). For Heyd, looking forward is the way to revitalization and survival.

Sunday, September 1, 2013

An excerpt from The Cycle of Life



From Chapter 3, The Puer and the Puella

Who are they, the young man and the maiden, the puer and the puella?

We easily recognize them in everyday confrontations with moody teenagers, when sexual desire competes with dark rage, the one setting the house on fire, the other breaking up the walls. Alternatively, and even worse, inexplicable withdrawal makes the earth quake in deadening silence.

There is beauty struggling with acne, and tender sensuality trying to contain awkward clumsiness. Eros and desire break through the face of insecure constraint, mercilessly exposing their blushing flare. Hope for the future competes with anxiety of failure and apocalyptic fears.

Thomas Coyle: Youth

Art and poetry, mythology, music and literature, abound with tales and pictures of the pain, suffering and sorrow of young Werthers, of hidden loneliness when the birds sing out of tune in a world without love, of trying to save the child in a world characterized by alienation and wicked adults, of the heights of falling in love, and then, the perhaps inevitable, yet barely possible climb out of the abyss of opaque emptiness.

When young and unfortunate Actaeon, Cadmus’s grandson, steals sight of the beautiful maiden goddess Diana, bathing undressed in the fountain, he becomes understandably speechless. Diana transforms him, as it were, from stag to stag, from having turned up unaccompanied at the party of the naked nymphs, to a stag with “antlers on his wet head.” And as he flees in fear, he wonders, “what to do? go home? to royal palace? hide in woods? shame blocks one, fear the other ...”

How painful is the conflict of youth, to be trapped between shame and fear! Shame blocks the regressive return to the safety of childhood’s royal palace, while slinking into the woods, where secrets of desire and the treasures of passion lie hidden, may be all too frightening. Eventually, however clumsy, the lad will have to overcome his fears and venture into the virgin forest, and the maiden will turn the stones to find and open up the mossy treasure shrine.

Serving as a narrow and dangerous bridge between childhood and the adult world, the puer functions not along the horizontal road of linear development, but attempts, rather, to unite what is above with what dwells below. “The horizontal world, the space-time continuum which we call ‘reality,’ says Hillman, “is not its world.” Furthermore, the puer is “weak on the earth, because it is not at home on earth. Its direction is vertical.” The puer has a “propensity of flying and falling.”

"Life", an original painting by Benjamin Shiff

The Cycle of Life is available at Amazon, Barnes and Noble, Fisher King Press, and other online bookstores.

Reviews

"Erel Shalit's Guidance Through the Journey of Life"
—Grady Harp (Hall of Fame, Top 50 Reviewer, Vine Voice)
Writing a review of the writings of Erel Shalit is daunting. How can anyone quickly distill the expansive and loving knowledge of this brilliant thinker and writer? The pleasure of reading Shalit's books (eg, ENEMY, CRIPPLE, BEGGAR: SHADOWS IN THE HERO'S PATH) is the absorbing of his manner of drawing us into his thoughts and speculations of Jungian individuation. He is a Jungian psychoanalyst in Israel but lectures throughout the world and the increasing acknowledgement of his many books indicates his level of importance in the community of psychology.

In THE CYCLE OF LIFE Shalit encourages the reader to reflect on all aspects of their time here on the earth, absorbing each of the stages of development of growing, but not dismissing the fountain of growth at the end of life. He early on gently shakes his finger at our contemporary thoughts of wanting to hide age: 'When cosmetics and plastic surgery mold a stiff and unyielding mask of youth, or rather of fictitious youthful appearance, old age cannot wear its true face of wisdom. By flattening our the valleys of our wrinkles, we erase the imprints of our character. Fixation in a narcissistic condition of an outworn mask silences the inner voice of meaning in our life.'

He divides his book into the stages of life and, of course, emphasizes the Jungian exploration of the second half of life (he reminds us that Jung is considered the father of the modern study of adult development). One of the selfless manners in which Shalit writes is his sharing of quotations by other writers - including Shakespeare's excerpt from 'As You Like It' - the 'All the world's a stage/ And all the men and women merely players etc'. He honors the words of colleagues alive and passed on, making sure that we the reader receive an expansive exposure to the interpretations of others.

But where Shalit blooms is in his compassion and this comes forward in the most needed spaces. He closes his book with the following: 'As much as we in old age reflect back upon what has been satisfactory in our lives, we need, as well, to bear our failures and foregone opportunities. Even if we have managed to walk our own individual path, having been fortunate to follow the road less traveled and found our way home to a sense of meaning in our personal quest, we need to carry the unanswered questions and unknown possibilities of the road not taken.' This is the soothing message he offers at the end of his insistence that we examine our lives as a whole. He is brilliant, he is warm, and we are the better for reading him. 

Rosh Hashana 2013
"Required Reading for all Travelers on Life's Journey"
—Dr. Arieh Friedler, Israel Adult Education Association
From the Bible to Shakespeare, to Carl Jung and to Erik Erikson, Erel Shalit's book, THE CYCLE OF LIFE poetically and informatively presents "the themes and tales of the journey". Shalit cites Jung who assured us that the journey entails BOTH the road we take and HOW we take that road, our conscious attitude. Likewise, as one sets out on the book's journey, s/he is aware of Shalit's profound understanding of the cycle of life. His expertise in Jungian psychology coupled with his vast personal experience in treating clients is apparent on nearly every page. It is HOW he presents the journey that makes this book both very enjoyable and very readable. Just as one feels that perhaps s/he is getting a bit lost in the psychological description of one of the stages in the life cycle, Shalit presents the reader with a poignant example from literature, Greek mythology, Eastern Philosophy, or from Jewish philosophy which illustrates and clarifies the issue for the layman.

As one of these laymen who is on the threshold of the last stage in the journey, I highly recommend this book to anyone and everyone who wants to understand his or her own life as an individual or as part of the universe. The book should be required reading for all those starting out on "the journey", for those who deal with people who are somewhere on the path, and for those of us who are at the last station but who still have the strength and the curiosity to understand how s/he has arrived at this point. All in all THE CYCLE OF LIFE is an outstanding publication by a brilliant writer.

RECOMMENDED by the US Review of Books, reviewer Peter M. Fitzpatrick
"The perspective of life as a cycle lived through its stages enables us to bring the archetypal and the personal dimensions together."
While Sigmund Freud mapped out the psychosexual development of children to puberty through the oral, anal, phallic latency and genital stages, Carl Jung expanded the study of human development through the second half of life. Jung also expanded Freud's somewhat materialistic focus on psychosexuality as the source of the unconscious to include a vaster world of archetypes that emanate from our undifferentiated Selves through symbolic forms. It is the child's slow separation from the Great Mother archetype that allows him to incorporate the powerful unconscious energies of this symbol into a developing ego. The next stage, the "puer," or troubled teenager, carries this process further, adding the "fire" of his or her growing awareness of Eros to the "dismemberment" of the "unconscious" contents of the archetypes so that the ego can use their energies. A successful transition to adulthood entails a completion of the ego's ascendancy. But the ego must learn to surrender its role as "king" once old age begins.

The author engagingly illustrates Jung's conceptions of the power of the archetypal forces that inhabit our unconscious Selves, showing how they are dual, with both grandiose and terrible aspects. In accessible language, he maps out how figures from the Bible, Greek mythology, and fairy tales contain eternal truths on the mythic level where the Self at the core of our being operates. He explicates the dangers of becoming stuck in a particular stage, and cites actual cases of individuals he has helped make the transitions in his clinical practice as Jungian analyst.

Francesco Albani: Diana and Actaeon

Monday, August 5, 2013

The Dream Amplification and your iPad

Fourteen Jungian Analysts from around the world have contributed chapters to this book on areas of special interest to them in their work with dreams. This offers the seasoned dream worker as well as the novice great insight into the meaning of the dream and its amplification.

The Dream and Its Amplification unveils the language of the psyche that speaks to us in our dreams. We all dream at least 4-6 times each night yet remember very few. Those that rise to the surface of our conscious awareness beckon to be understood, like a letter addressed to us that arrives by post. Why would we not open it? The difficulty is in understanding what the dream symbols and images mean.

Through amplification, C. G. Jung formulated a method of unveiling the deeper meaning of symbolic images. This becomes particularly important when the image does not carry a personal meaning or significance and is not part of a person's everyday life.

Contents and Contributors
  • The Amplified World of Dreams - Erel Shalit and Nancy Swift Furlotti
  • Pane e’ Vino: Learning to Discern the Objective, Archetypal Nature of Dreams - Michael Conforti
  • Amplification: A Personal Narrative - Thomas Singer
  • Redeeming the Feminine: Eros and the World Soul - Nancy Qualls-Corbett
  • Wild Cats and Crowned Snakes: Archetypal Agents of Feminine Initiation - Nancy Swift Furlotti
  • A Dream in Arcadia - Christian Gaillard
  • Muse of the Moon: Poetry from the Dreamtime - Naomi Ruth Lowinsky
  • Dreaming the Face of the Earth: Myth, Culture, and Dreams of the Mayan Shaman - Kenneth Kimmel
  • Coal or Gold? The Symbolic Understanding of Alpine Legends - Gotthilf Isler
  • Sophia’s Dreaming Body: The Night Sky as Alchemical Mirror - Monika Wikmam
  • The Dream Always Follows the Mouth: Jewish Approaches to Dreaming - Henry Abramovitch
  • Bi-Polarity, Compensation, and the Transcendent Function in Dreams and Visionary Experience: A Jungian Examination of Boehme’s Mandala - Kathryn Madden
  • The Dream As Gnostic Myth - Ronald Schenk
  • Four Hands in the Crossroads: Amplification in Times of Crisis - Erel Shalit
  • Dreams and Sudden Death - Gilda Frantz
The Dream and Its Amplification - 
Erel Shalit & Nancy Swift Furlotti

Attending the IAAP Congress in Copenhagen?
 - Don't miss the The Dream and Its Amplification book launch on August  21st at 19:00 !

Monday, July 29, 2013

In The Garden of the Dreaming Mind

 Serena Carroll reviews The Dream and Its Amplification 

"Amplification of Dreams" is not a light book, but one rich in its variety of earnest expression. These fourteen authors assemble their wisdom and experience under one great umbrella. They reach down into their depths to bring personal insights about the mind's (or psyche's), dream capacity -- or you may say, the amplification thereof. Every chapter is different, rich and interesting and very different in each author's approach. It's a book to keep nearby, pick up and read over parts again, as I have been doing, and enjoying it more as I do so.

What stands out for me? To mention a few:
Isler's Alpine Dreams making their way into the regions centuries old fairy tales, Wikman's own near death experience embodied as a dream, Swift-Furlotti's dream wherein an actual snake ritual and initiation, or new birth, takes place. Snakes, which are probably the oldest recognized key dream image around, come up again in Singer's heart touching story.

Abramovitch's attitudes on Jewish dream work from early Talmudic times, is similar to the 6th century Ancient Greeks, in the Temple of Asclepius, where seekers sought the priests' counsel in the dream abaton or temple.

Shalit mentions the power of archetypal or dreams of the collective, like Jung’s rivers of blood dreams, 1913, just prior to of World War I. He dispenses a large amount of Jungian information here – his section is a perfect description of the Collective Unconscious. 

If you're a thinking type you may respond one way, a feeling type, then you'll have another reaction.

Gilda Franz writes with all her heart in 'Dreams and Sudden Death' and gives us some practical advice on how to delve into and amplify one's dream.

Dream work is not new, Jung just expanded upon it greatly for our present era and in doing so brought a whole new dimension to the science and art of psychology.

These fourteen scholars manage to bring all of their wisdom and experience under one tent. I wish I had had this book in psych grad school 18 years ago, so much would have been made clear, although one does not need to be an academic to appreciate its scope and depth.

This is the 2013 Portable Jung!

Serena Carroll is a trained therapist, astrologer and writer, with over 35 years of experience. Serena is on the board of the Sarah House, a hospice care home for low-income individuals including those suffering from HIV; and has also moderated hospice groups for individuals suffering from grief and loss. Serena has also served on the board of the Pacifica Center for Depth Psychology. She currently authors a blog on practical spirituality for MariaShriver.com. Her website is http://www.serenacarroll.com/.



Product Details:
Paperback: 220 pages (Large Page Format 9.25" x 7.5")
Publisher: Fisher King Press; 1st edition (June 15, 2013)
Language: English
ISBN-10: 1-926715-89-6
ISBN-13: 978-1-926715-89-6
Also available as an eBook
Order from Amazon or Fisher King Press

Friday, July 19, 2013

The Complex - Messenger from the Gods


Joseph Camosy writes on Photography and the Complex:

A photograph is an image. An image that's "magical and powerful" is an image which has "charge" or generates "Affect." Put these two ideas together and you have the concept of the "charged image." This happens to be the very definition of a complex. Now as created images, photographs can be evocative of individual complexes (what Barthes called the "punctum") or of collective cultural complexes (what Barthes called the "studium").

I recommend you read The Complex: Path of Transformation from Archetype to Ego by Erel Shalit. If you do, you will see that the complexes are soul food - they are the way our psyche's can relate to and be nourished by the soul/archetypal/spiritual realms.

Here is a short excerpt from the book:

"...Jungian psychology postulates an objective psyche, or collective unconscious, made up of forms, molds and energies that serve as blueprints for common and universal human experiences. These are the archetypes which, Jung clarifies,"correspond in every way to the instincts, which are also determined in form only. The existence of the instincts can no more be proved than the existence of the archetypes, so long as they do not manifest themselves concretely." (pg 24)

As "possibilities of representation," the archetypes manifest only when some level of consciousness comes into play. Thus we find archetypal ideas and images in myths and fairytales, in religion and in literature. Archetypal motifs, for instance the stages of childhood and coming of age, unfold in a person's actual experience. These motifs exist prior to the individual child's development, and whatever unexpected realizations the encounter with old age might bring, there were those who came of age before oneself.

However, what for mankind is a small step might sometimes be a giant leap in one's life. The archetype does not determine one's life course, and the actual experience is not shaped by a predetermined mold. to this end, we need complexes, for they are the path and the vessel that give human shape and structure to archetypal patterns as they unfold in personal experience. The complexes provide the link between archetype and ego, enabling transformation of the archetypal into the personal. Just like dreams, which attain their garments from the complexes, writes Jung, "[Complexes] are not subject to our control but obey their own laws... In saying this, we assume that there are independent psychic complexes which elude our conscious control and come and go according to their own laws."

The complex is, thus, messenger of the gods, or the archetypes, rather than that of the ego, though the personal life is its object."

The iconic, magical, powerful photograph is in fact, a messenger from the gods.

"The Complex" is a masterpiece.

Joseph Camosy

Researcher, Integral Theory

http://integralpostmetaphysics.ning.com

Charged Images by Joseph Camosy


Erel Shalit Amazon Author Page