Sunday, October 14, 2012

Kafka’s unpublished manuscripts – soon to be revealed!


After five long years, in what seemed frightfully similar to the eternity of a Kafkaesque Trial, Judge Talia Pardo Kupelman (K.) wrote,

"This case, complicated by passions, has been argued in court for quite a long time across seas, lands, and times. Not every day… does the opportunity befall a judge to delve into the depth of history as it unfolds before him in piecemeal fashion," opening, she said, "a window into the lives, desires, frustrations and the souls of two of the greatest thinkers of the 20th century."

The judge ruled that the library of Max Brod, Kafka’s close friend, be transferred to the National Library, in accordance with his wish and intention.

After his death in 1968, Brod’s secretary Eva Hoppe kept, and sold off, some of the important manuscripts. The remaining ones include, as Ofer Aderet writes in Haaretz, Brod's unpublished diary, notebooks with Kafka's writings, and correspondence of Kafka and Brod, among others with Stefan Zweig and Shin Shalom.

Remebering the death of Max Brod, 1968

An excerpt from Requiem - A Tale of Exile and Return:

Without forewarning, Eli Shimeoni found himself transposed more than forty years back in time, walking down Tel Aviv’s King George Street, sometime late winter or very early spring, if his memory did not escape him. He headed for Pollack’s antiquarian bookstore, which even as a young teenager he frequented as often as he could. He felt the thick and heavy air of old books was rich and wise, a comfort and a relief, a refuge from breathing the thick and heavy air of home, which he needed to escape. Those days, after the war of the days of creation, arrogance was in the air. Everyone seemed to fill their lungs with victory and invincibility. But young Eli kept breathing the air of threat and fear, doubt and concern, the compressed air that lay squeezed like the dust in the corners of his room and under his parents bed sofa.

The old bookshop granted an escape into a world of history books and timeworn atlases in which he could sail across the sea of time and continents, where fear and excitement and heroism were free and asked no price. It was a world of books that he could browse but never buy, an odyssey that could only be traveled, but never owned.

Sometimes his mind would play out heroic fantasies. However, unlike his school mates, he was neither the warrior who saves his country, nor the soccer player who leads his team into the world cup final, triumphantly circling the field wrapped in the national flag while an ecstatic crowd sings the anthem. No, his libido was lit by a raging fire, threatening the shop and its treasures from Heine to Freud as if this was Bebelplatz, May 1933. In sharp contrast to his usually slow, pale and shy ways, he would courageously run into the fire and save the most valuable of all the books and atlases and manuscripts.

But that grayish winter day, as he stood outside the window to see if everything was in place, his eyes caught sight of a letter, which must have been put there only days ago. He could not make out the German writing, only that it was addressed to Dr. Brod. His mouth got dry, searching for saliva, his heart pounded and his legs trembled as he entered the store to inquire with the old salesman who might have been much younger than he seemed to be behind those round glasses that always slipped down his nose, who told him that Brod had passed away only a few weeks earlier. Those were years that young Eli would swallow every scrap of paper or piece of knowledge or story by Brod or Kafka. He had even read Brod’s novel Tycho Brahe’s Path to God; though he had found the language difficult, or perhaps simply was too young to grasp, he had been intrigued by the conflict between the old and the new, past thoughts and new ideas. But he felt particularly grateful to old man Brod for being wise enough not to follow stupid Kafka’s request to burn his books – how could he want his books to be burned!!! Of course he could not know that books would be burned less than a decade later, but for sure he knew about Hananiah ben Teradion, the second century religious teacher, who broke the Roman law against teaching the Scriptures. When burned alive with his beloved, the forbidden Torah Scroll, he said to his pupils, “I see the scroll burning, but the letters of the Torah soar upward.”

Young Eli admired the courage of Dr. Brod, but could not really forgive Kafka for wanting to burn his books – only, perhaps, that he had asked in such a way that Brod would understand he did not really mean it. Eli had even seen old uncle Brod once or twice in the street, and tried to follow him without giving himself away, but was too scared that Brod would notice him and scold him and embarrass him and bring him shamefully home to his parents, so he had always made it the other way on Hayarden Street corner Idelson.

He often wondered about the friendship between Franz and Max, and so much wished that Franz would not have starved to death at such a young age – just imagine if he would have lived with Dora across the street of Uncle Max! Write one more book, please, just one!

Read Requiem (English; Hebrew).

As mentioned in Requiem, one of Kafka’s manuscripts that may be found among the thousands of pages in the boxes in the neglected apartment with abandoned cats in Tel Aviv’s Spinoza Street may well be the story - according to leaks, likely by a foreign expert on the Kafka material - about a rat, one among many in Prague’s sewage system. But “this rat had a complex, golden mechanical device, a precise micro-cosmos built into its mind.”

The rest is a story yet to be told, though some of it, as far as we have been able to gather, appears in Requiem (p. 57ff).

Tuesday, September 11, 2012

Pacifica Graduate Institute and The Cycle of Life

Ladera Lane Campus of Pacifica Graduate Institute invites you to participate in a Master Class with Erel Shalit

Space will be limited in order to accommodate ample opportunity for reflection and discussion.

Thursday, October 4, 2012, 1:30-4:30 pm followed by a reception and book signing 4:30-5:30 pm

The Cycle of Life: Themes and Tales of the Journey

A Master Class with Erel Shalit

To speak of a general, human life cycles to propose that the journey from birth to old age follows an underlying, universal pattern on which there are endless cultural and individual variations. —Daniel Levinson

In his essay 'The Stages of Life,' Jung discusses "the problems connected with the stages of life," claiming problem to be the kernel of culture and consciousness. Jung clearly aims at living theconscious life, just like Socrates declared the unexamined life not worth living. On our journey through the stages (or ages) of our life, we encounter the archetypal essence of each phase, and are challenged by the essence of meaning that we are requested to deal with on our journey. This presentation will explore crucial archetypal images of the journey and the stages of life, and tell some of the stories, with references to, among others, Pirandello, Kafka and Oedipus at Colonus.

Dr. Erel Shalit is a Jungian psychoanalyst in Ra’anana, Israel. He is a training and supervising analyst, and past President of the Israel Society of Analytical Psychology. He is Founder and Director of the Jungian Analytical Psychotherapy Program at Bar Ilan University. He is a past Director of the Shamai Davidson Community Mental Health Clinic, at theShalvata Psychiatric Centre in Israel. His most recent books are The Cycle of Life: Themes and Tales of the Journey(2011; the book received the Eric Hoffer Book Award Honors in Culture, 2012), Requiem: A Tale of Exile and Return (2010), and Enemy, Cripple & Beggar: Shadows in the Hero’s (2008; the book was a nominee for the 2009 Gradiva Award for Best Theoretical Book, National Association for the Advancement of Psychoanalysis). Entries, chapters and articles of his appear in several books and journals. He wrote the chapter on Jerusalem in Tom Singer (ed.), Psyche and the City. He is on the editorial board of Quadrant. For more information, visit www.eshalit.com.

Reservations and Cancellations
Advance registration is required. Space is limited to 50 participants.
The registration fee is $100 and includes the class, reception, and CEUs. To register, please call the Public Programs Department at 805.969.3626, ext. 103.

To obtain a refund on your registration fee, send a written cancellation request via email no later than the Monday before the class. Tuition less a $15 processing fee will be refunded. No refunds on your registration fee will be made after that time. In the event that the program is sold out with a waitlist, if you return your seat to our office, and if we are able to transfer your registration to someone on the waitlist, we will issue you a refund less the processing fee. Any registration transfers that do not go through our office will be assessed the processing fee onsite. A confirmation will be sent via email.

Pacifica’s Ladera Lane Campus
The class will be held at Pacifica Graduate Institute’s Ladera Lane Campus, 801 Ladera Lane, Santa Barbara, California, 93108.

Accommodations
A limited number of rooms are available for participants on a first-come, first-served basis at the rates below (plus 10% occupancy tax) at Pacifica’s Ladera Lane Campus.
$82.50 per night single occupancy (one bed)
$115 per night couple occupancy (one double bed)
$125 per night double occupancy (two twin beds)

Accommodations are simple, dormitory-style rooms with shared bath and shower. All reservations and changes in accommodations must be made through Pacifica’s Public Programs Department. Payment is due at the time of your reservation. Cancellation for accommodations with full refund is accepted up to 5 days before the event. Cancellations made 1-4 days before the event will receive a 50% refund. There will be no refund for cancellations on the day of the event.

Continuing Education Credit
3 Hours of Continuing education credit is available for RNs through the California Board of Registered Nurses (provider #CEP 7177) and for MFTs andLCSWs (provider #PCE 2278) through the California Board of Behavioral Sciences.

For more information and registration, contact:
Pacifica Graduate Institute
Public Programs
249 Lambert Road, Carpinteria, CA 93013
805.969.3626, ext. 103
publicprograms@pacifica.edu

Monday, September 10, 2012

The C.G. Jung Institute of Los Angeles presents:

A Weekend with Erel Shalit

Friday, October 5, 7:30-9:30 pm
Saturday, October 6, 10:00 am-3:00 pm

Click to Register for this special event!

“To speak of a general, human life cycle,” says Daniel Levinson, “is to propose that the journey from birth to old age follows an underlying, universal pattern on which there are endless cultural and individual variations.” In his essay “The Stages of Life” Jung discusses “the problems connected with the stages of life,” claiming problem to be the kernel of culture and consciousness. On our journey through the stages of our life, we encounter the archetypal essence of each phase and are challenged by the essence of meaning that we are requested to deal with on our journey. The lecture will explore crucial archetypal images of the journey and the stages of life, and tell some of the stories.

Dr. Erel Shalit is a Jungian psychoanalyst practicing in Ra’anana, Israel. He is Founding Director of the Jungian Psychotherapy Program at Bar Ilan University. A training and supervising analyst, and past President of the Israel Society of Analytical Psychology, Dr. Shalit also served as Director of the Shamai Davidson Community Mental Health Clinic at the Shalvata Psychiatric Center in Israel. His most recent books include The Cycle of Life: Themes and Tales of the JourneyRequiem: A Tale of Exile and Return; and Enemy, Cripple, Beggar: Shadows in the Hero’s Path. In addition Dr Shalit's work has appeared in numerous books and journals. He wrote the chapter on Jerusalem in Tom Singer (ed.), Psyche and the City. He is on the editorial board of Quadrant. With Nancy Furlotti, he is editing a forthcoming volume on The Dream and its Amplification.

Wednesday, August 8, 2012

Lakes of Memory and Burning Nights


adagio & lamentation

ISBN: 9781926715056

poems by Naomi Ruth Lowinsky

Il Piccolo editions, Fisher King Press, 2010
Carmel, CA

Naomi Ruth Lowinsky was the first child born in the New World to a family of German Jewish refugees from the Shoah. Many in her family were lost in the death camps. It has been the subject and the gift of her poetry and prose-to write herself out of the terror, into life. Naomi had a special tie with her only surviving grandparent, the painter Emma Hoffman, whom she called "Oma." Oma showed her that making art can be a way to transmute grief, a way to bear the unbearable. The cover of adagio and lamentation is a watercolor by Emma Hoffman-an interior view of the Berkeley home where Naomi visited her often as a teenager. Oma tried her best to make a painter of her, but Naomi was no good at it. Poetry was to be her vehicle. Adagio and Lamentation is Naomi's offering to her ancestors, a handing back in gratitude and love. It is also her way of bringing them news of their legacy-the cycle of life has survived all they suffered-Naomi has been blessed by many grandchildren.

Download a free preview

A Review by Erel Shalit of adagio & lamentation, appears in the Jung Journal: Culture & Psyche, Summer 2012 (vol 6:3):

Poet and Jungian analyst Naomi Lowinsky’s journey of adagio & lamentation begins with a desire, a longing, a plea to Grandmother Emma Hoffman, Oma, to stop being dead, so she can talk about the light of morning and the light of late afternoon. Then, perhaps, the poet can grasp the meaning of the difference between the painter’s painted shadows, when she shapes emptiness, and like the creator, “there was light” (2010, 1).

And the journey ends at the threshold of summer’s tremor, when one might hear the sound of distant drums, or a helicopter, the anxiety that echoes deeply in the whisper of the gods in the living oak trees and the god of dreams—“is it a war machine,” or a fire, or memories to be penned (90)?

Even the ghost story poems contain beauty and sensuality; the complexes that are our ghosts may be “breaking into a million fragments,” but may, as well, in the oceanic turmoil and intensity of youth, “cause the trumpet vine on the back fence to flower for the first time” (5–6).

Read the full review

Jung Journal: Culture & Psyche is an international journal published quarterly for the C.G. Jung Institute of San Francisco, one of the oldest institutions dedicated to Jungian studies and analytic training. 

Founded in 1979 by John Beebe under the title The San Francisco Jung Institute Library Journal, Jung Journal has evolved from a local journal of book and film reviews to one that attracts readers and contributors from the academy and the arts, in addition to Jungian analyst-scholars.

cover of the Jung Journal
(San Francisco Jung Institute Library Journal)
Featuring peer-reviewed scholarly articles, poetry, art, book and film reviews, and obituaries, Jung Journal offers a dialogue between culture--as reflected in art, literature, science, and world events--and contemporary Jungian views of the dynamic relationship between the cultural and personal aspects of the human psyche.



Saturday, August 4, 2012

Recollection and Recollectivization

The 2nd European Conference on Analytical Psychology will be held in St. Petersburg, 30th August to 2nd September, 2012. Titled “Borderlands”, it is a contribution to the concept coined by Jerome Bernstein (Living in the Borderland: The Evolution of Consciousness and the Challenge of Healing Trauma), who will be the opening speaker.

painting by Hagit Shahal

In my lecture Recollection and Recollectivization: the transient personality in search of memory, I will look at ‘the never guilty mass man’ (Jung), of the post-modern condition, related to Erich Neumann’s concept of recollectivization.

On the dark, shadowy side of the postmodern condition, we stumble upon transiency and fragmentation, alienation and rootlessness.

Particularly, we may observe the relationship between the individual and the fragmented group, which constellates as a transient crowd formation. In the condition of recollectivization, ego and consciousness are lost in the group, however, in a way strikingly different from the early state of oneness with the group.

Recollection serves as an antidote to recollectivization, and may show us “how we should act when the libido gets blocked” (CW 5). A smell and a fragrance, a subtle taste “of a cake dipped in tea,” as Proust says, re-calling a childhood memory, a lost time, a forgotten era, and the recollection of ancient wisdom and the ancestors, may provide the individual, as well as the group, with an anchor across the boundaries of time, by means of linking back to past heritage, and serving as a bridge to future developments. Thus, recollection is a central aspect of the conscious, explored life.

The following is an excerpt from the lecture:

Friday, July 6, 2012

Recommended in US Review of Books



The Cycle of Life
by Erel Shalit
Fisher King Press

reviewed by Peter M. Fitzpatrick

"The perspective of life as a cycle lived through its stages enables us to bring the archetypal and the personal dimensions together."

While Sigmund Freud mapped out the psychosexual development of children to puberty through the oral, anal, phallic latency and genital stages, Carl Jung expanded the study of human development through the second half of life. Jung also expanded Freud's somewhat materialistic focus on psychosexuality as the source of the unconscious to include a vaster world of archetypes that emanate from our undifferentiated Selves through symbolic forms. It is the child's slow separation from the Great Mother archetype that allows him to incorporate the powerful unconscious energies of this symbol into a developing ego. The next stage, the "puer," or troubled teenager, carries this process further, adding the "fire" of his or her growing awareness of Eros to the "dismemberment" of the "unconscious" contents of the archetypes so that the ego can use their energies. A successful transition to adulthood entails a completion of the ego's ascendancy. But the ego must learn to surrender its role as "king" once old age begins.

The author engagingly illustrates Jung's conceptions of the power of the archetypal forces that inhabit our unconscious Selves, showing how they are dual, with both grandiose and terrible aspects. In accessible language, he maps out how figures from the Bible, Greek mythology, and fairy tales contain eternal truths on the mythic level where the Self at the core of our being operates. He explicates the dangers of becoming stuck in a particular stage, and cites actual cases of individuals he has helped make the transitions in his clinical practice as Jungian analyst.

RECOMMENDED
US Review of Books

Thursday, June 28, 2012

Lakes of Memory and Burning Nights


The following is an excerpt from a review of Naomi Lowinsky’s adagio & lamentation (Carmel, CA: Il Piccolo editions, Fisher King Press, 2010), which will be forthcoming in the next issue of the Jung Journal: Culture & Psyche (Summer 2012).

In the aesthetics of Lowinsky’s poems, the lamentations become simultaneously softened and sharpened. The Passover angel “passed over our house” and nobody comes to the door, and we understand that it truly is Nobody who comes to the door, fully dressed in nobody’s black mask (12).

At the center of this deep trail of poems stands “adagio and lamentation” (27), a prayer, a covenant with the dead, with the shadows, with the candles borne into the dark woods. The memories are dreams that come alive in the reflections in mother’s great lake, again, in “many shades of blue,” and in the duality that are the legs on which the conscious life stands, “playing two violins at the same time,” simultaneously being an old gypsy and a wild child. This is the mother who is able, at one and the same time, to know that she’d loved him and “were glad to be free of him,” the divorced husband (61–62). The contrasts and the contradictions that touch the senses and deepen the feelings, creating both complexity and unity, color every line of this beautiful work.

Erel Shalit