C. G. Jung and Erich Neumann: Paintings from the Psyche

A Five-Part Webinar Series

Click Here to Register for the Series or Watch the free First Webinar

Next Seminar Thursday, February 23rd @11AM ET:

ERICH NEUMANN – HIS LIFE, WORK and RELATIONSHIP WITH C.G. JUNG

Nancy Swift Furlotti will show and compare paintings by Neumann that have recently been discovered with some of Jung’s paintings in The Red Book. For both men, painting represented an engagement with the unconscious and a central feature of their individuation processes. There will also be references to Neumann’s writings on art and artists with the assistance of Murray Stein.

Active imagination was the technique C. G. Jung developed to amplify images from his dreams and visions. It allowed him to delve deeper into the mythical and collective layers of human imagination to more specifically understand what the psyche was trying to communicate. He used this extensively while on his own inner journey described in, The Red Book, and encouraged his patients and colleagues to do so, as well. Erich Neumann was one of Jung’s foremost disciples. After commencing analytical work with Jung, he kept a dream journal and began using active imagination on his own dream images. Somewhat later he, too, began to paint these images creating a long series, much like those in Jung’s Red Book. The comparison between the two sets of paintings is striking in both their differences and similarities. We will explore a full image series from each one as a way of gleaning a deeper understanding of the psychic processes of these two prominent analysts and good friends.

Turbulent Times, Creative Minds

Erich Neumann and C. G. Jung in Relationship

This volume of essays by well-known Jungian analysts and scholars provides the most comprehensive comparison to date between the works of C.G. Jung and Erich Neumann. Reflections are based on their extensive correspondence recently published, their differing cultural backgrounds, and the turbulent times surrounding their personal and professional relationship. Among the many specific subjects discussed are Jung and Neumann on art and religion, their views on the problem of evil, and clinical aspects of Neumann’s work. Also included are personal memories of both Jung and Neumann family members.
The book includes exclusive photos from Eranos, and several illustrations in color.

Contents:

Introduction (Erel Shalit and Murray Stein) ix
I. The Correspondence (1933–1960)

Uncertain Friends in Particular Matters: The Relationship between C. G. Jung and

Erich Neumann (Martin Liebscher) 25

Companions on the Way: Consciousness in Conflict (Nancy Swift Furlotti) 45

Neumann and Kirsch in Tel Aviv: A Case of Sibling Rivalry? (Ann Lammers) 71

II. Cultural Backgrounds

German Kultur and the Discovery of the Unconscious: The Promise and Discontents of the German-Jewish Experience (Paul Mendes-Flohr) 83

Basel, Jung’s Cultural Background and the Proto-Zionism of Samuel Preiswerk (Ulrich Hoerni) 95

The Cultural Psyche: From Ancestral Roots to Postmodern Routes (Erel Shalit) 111

III. Troubled Times

Carl Jung and Hans Fierz in Palestine and Egypt: Journey from March 13th to

April 6th, 1933 (Andreas Jung) 131

1933—The Year of Jung’s Journey to Palestine/Israel and Several Beginnings (Thomas Fischer) 135

Jungians in Berlin 1931–1945: Between Therapy, Emigration and Resistance (Jörg Rasche) 151

IV. The Problem of Evil

The Search for a New Ethic: Professional and Clinical Dilemmas (Henry Abramovitch) 167

Erich Neumann and C. G. Jung on “The Problem of Evil” (Murray Stein) 185

V. Neumann and Eranos (1948–1960)

Neumann at Eranos (Riccardo Bernardini) 199

“Dear, dear Olga!” - A Letter to Olga Fröbe-Kapteyn (Julie Neumann) 237

VI. On the Arts

The Great Mother in Israeli Art (Gideon Ofrat) 245

Jung, Neumann and Art (Christian Gaillard) 261

The Magic Flute (Tom Kelly) 299

A Brief Comment on Neumann and His Essay “On Mozart’s ‘Magic Flute’” (Debora Kutzinski) 309

VII. Clinical Contributions

Erich Neumann’s Concept of the Distress-ego (Rina Porat) 315

Can You Hear My Voice? (Batya Brosh Palmoni) 333

Neve Tzeelim—A Field of Creation and Development (Rivka Lahav) 347

VIII. On Religion

Erich Neumann and Hasidism (Tamar Kron) 367

Theological Positions in the Correspondence between Jung and Neumann (Angelica Löwe) 385

IX. On Synchronicity

Toward Psychoid Aspects of Evolutionary Theory (Joseph Cambray) 401

X. “Memories from My (Grand)Father’s House”

Introduction 411

Some Memories of My Grandparents (Andreas Jung) 413

Memories (Ulrich Hoerni) 415

Memories (Micha Neumann) 417

Memories (Ralli Loewenthal-Neumann) 421

Memories (Debora Kutzinski) 425

A Response (Thomas B. Kirsch) 429

Remembering the Mamas and Papas (Nomi Kluger Nash) 433

Memories of Max Zeller (1904–1978) (Jacqueline Zeller) 437

Bibliography

About the Contributors

Cover image by Mordecai Ardon

Available at Amazon, and at Chiron

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Jacob and Esau 

On the Collective Symbolism of the Brother Motif (2nd printing)

by Erich Neumann

cover image by Meir Gur Arieh